(2017) Rivista di estetica 66.
What happens us emotionally when we read a work of fiction? According to some philosophers our emotional engagement with fiction gives rise to a paradox and involves either irrationality or participation in a game of make believe. I argue that an Object Theory in a meinongian style, by supporting a realistic perspective on fictional emotions, is able to dissolve the paradox of fiction by providing a positive ontological account of fictional entities (and the properties characterizing them).
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Full citation:
Barbero, C. (2017). Who's afraid of fictional characters?. Rivista di estetica 66, pp. 148-164.
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