The still life as a personal object—a note on Heidegger and Van Gogh

Schapiro Meyer

Book | Chapter

(1968) The reach of mind, Dordrecht, Springer.

The still life as a personal object—a note on Heidegger and Van Gogh

Meyer Schapiro

pp. 203-209

In his essay on The Origin of the Work of Art (3, 4), Martin Heidegger interprets a painting by van Gogh to illustrate the nature of art as a disclosure of truth.¹

Publication details

DOI: 10.1007/978-3-662-40265-8_14

Full citation:

Schapiro, M. (1968)., The still life as a personal object—a note on Heidegger and Van Gogh, in M. L. Simmel (ed.), The reach of mind, Dordrecht, Springer, pp. 203-209.

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