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Emmanuel Alloa
Emmanuel Alloa studied philosophy, history and art history in Freiburg, Padova, Berlin and Paris. He obtained his PhD in 2009 jointly from the University Paris I-Panthéon and the Free University Berlin. He has taught at the Département d’arts plastiques of Paris 8, was a Post-doc in the Eikones project in Basel and was assistant professor for philosophy at the University of St-Gallen until 2019. He has received several prizes for his work, including the Latsis-Prize in 2016 and the Aby Warburg Science Prize in 2019.
with Caminada Emanuele, Breyer Thiemo (eds) (2023). Handbuch Phänomenologie. Tübingen: Mohr Siebeck.
with Ciocan Cristian (eds) (2023). Studia Phaenomenologica 23.
(2021). La imagen diáfana: Fenomenologia de los medios visuales. Santiago de Chile: metales pesados. (Original work published 2011)
(2021). Looking through images: a phenomenology of visual media. New York: Columbia University Press.
(2020). Partages de la perspective. Paris: Fayard.
(2019). Le premier livre de Merleau-Ponty, un roman. Chiasmi International, 21, 253-268. https://doi.org/10.5840/chiasmi20192123.
with Chouraqui Frank, Kaushik Rajiv (eds) (2019). Merleau-Ponty and contemporary philosophy. Albany: SUNY Press.
(2018). Merleau-Ponty à Madagascar: l'épreuve de l'étranger et la décolonisation de la pensée. Chiasmi International, 19, 115-128. https://doi.org/10.5840/chiasmi20171912.
(2018). Réaliser: Pourquoi le perspectivisme n'est pas un relativisme. In E. Alloa & Ã. During (éds) Choses en soi (pp. n/a). Paris: Presses Universitaires de France.
with During Élie (2018). Soyez réalistes, demandez l’impossible!: Introduction. In E. Alloa & Ã. During (éds) Choses en soi (pp. n/a). Paris: Presses Universitaires de France.
with Revel Judith (2018). Introduction. Chiasmi International, 19, 31-33. https://doi.org/10.5840/chiasmi2017195.
with Revel Judith (2018). Introduction. Chiasmi International, 19, 27-29. https://doi.org/10.5840/chiasmi2017194.
with Revel Judith (2018). Introduzione. Chiasmi International, 19, 35-37. https://doi.org/10.5840/chiasmi2017196.
with During Élie (eds) (2018). Choses en soi. Paris: Presses Universitaires de France.
(2017). Resistance of the sensible world: An introduction to Merleau-Ponty (J. M. Todd, Trans.). New York: Fordham University Press. (Original work published 2007)
(2016). L'apparato delle apparenze: Sul concetto di fenomenotecnica e la sua incidenza sull'estetica e l'epistemologia. Rivista di estetica, 63, 36-55. https://doi.org/10.4000/estetica.1255.
(2016). La palabra oblicua: Merleau-Ponty y los desafÃos de una ética indirecta. Acta Mexicana de FenomenologÃa, 1, 9-28.
(2016). Le monde existe-t-il sans nous ? Le perspectivisme selon Husserl: Présentation. Philosophie, 131, 3-19.
(2014). The theatre of the virtual: how to stage potentialities with Merleau-Ponty. In L. Cull & A. Lagaay (eds.) Encounters in performance philosophy (pp. 147-170). Dordrecht: Springer.
(2013). The diacritical nature of meaning: Merleau-Ponty with Saussure. Chiasmi International, 15, 167-181. https://doi.org/10.5840/chiasmi20131516.
with Fischer Miriam (eds) (2013). Leib und Sprache: Zur Reflexivität verkörperter Ausdrucksformen. Weilerswirst: Velbrück.
with Jdey Adnen (eds) (2012). Du sensible à l'œuvre: Esthétiques de Merleau-Ponty. Bruxelles: La Lettre volée.
with Bedorf Thomas, Grüny Christian, Klass Tobias (eds) (2012). Leiblichkeit: Begriff, Geschichte und Aktualität eines Konzepts. Tübingen: Mohr Siebeck.
(2011). Das durchscheinende Bild: Konturen einer medialen Phänomenologie. Zürich: Diaphanes.
with Guindani Sara (2011). La transparence: Présentation. Appareil, 7, n/a.
with Guindani Sara (eds) (2011). Appareil 7.
(2010). Par-delà la reconnaissance: L'attention comme paradigme pour une éthique asymétrique. Alter: Revue de phénoménologie, 18, 125-141.
(2009). La chair comme diacritique incarné. Chiasmi International, 11, 249-262. https://doi.org/10.5840/chiasmi20091143.
(2009). Metaxu: Figures de la médialité chez Aristote. Revue de métaphysique et de morale, 62, 247-262 .
(2008). "... ein Reden und ein Denken, das nicht wir haben": Zur Figur der indirekten Rede bei Maurice Merleau-Ponty. In E. Alloa & A. Lagaay (Hrsg.) Nicht(s) sagen (pp. 207-224). Bielefeld: transcript.
(2008). Architectures de la transparence. Appareil, 1, n/a. https://doi.org/10.4000/appareil.138.
with Lagaay Alice (eds) (2008). Nicht(s) sagen: Strategien der Sprachabwendung im 20. Jahrhundert. Bielefeld: transcript.
(2007). Berührung - Entblößung: Von der Pathik der Bilder bei Maurice Blanchot. In K. Busch & I. Därmann (Hrsg.) "Pathos" (pp. 75-92). Bielefeld: Transcript.
(2007). La résistance du sensible: Merleau-Ponty, critique de la transparence. Paris: Kimé.
(2007). Suspension et gravité: L'imaginaire sartrien face au Tintoret. Alter: Revue de phénoménologie, 15, 123-141.
with Goppelsröder Fabian, Dogà Ulisse (eds) (2005). atopia 8.